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SHAKESPEARE’S  MACBET. 
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Each year the New York Public  Library and Oxford University 
Press invite  a prominent figure in the arts  and letters to give a set 
of three lectures  on a topic of his or her choice.  The lectures  be- 
come  the basis of a book jointly published by the Library and the 
Press.  Books  in this series  already published are  The Old  World’s 
New  World  by C. Vann Woodward  and Culture  of Complaint:  The 
Fraying of America  by Robert Hughes.
=  Witches  and Jesuits  2 
—  Mwiine natahds 
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=  Shakespeare's  Macbeth  — 
=  |  Garry Wills 
=  The New  York Public Library 
ape  OXFORD  UNIVERSITY  PRESS 
=<  New  York  Oxford  - 
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Oxford University Press 
Oxford  New York 
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and associated companies in 
Berlin  Ibadan 
Copyright © 1995 by Literary Research, Inc. 
First published in 1995 jointly by The New York Public Library and 
Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 
First issued as an Oxford University Press paperback, 1996 
Oxford is a registered trademark of Oxford University Press 
All rights reserved. No part of this publication may be reproduced, 
stored ina  retrieval system, or transmitted, in any form or by any means, 
electronic, mechanical, photocopying, recording, or otherwise, 
without the prior permission of Oxford University Press. 
Library of Congress Cataloging-in-Publication Data 
Wills,-Garry, 1934—- 
Witches and Jesuits : Shakespeare's Macbeth / Garry Wills. 
p-  cm.  Includes indexes. 
ISBN 0-19-508879-4 
ISBN 0-19-510290-8 (Pbk.) 
1. Shakespeare, William, 1564-1616. Macbeth. 
2. Literature and history—England—History—17th century. 
3. Macbeth, King of Scotland, 11th cent.—In literature. 
4, Gunpowder Plot, 1605, in literature.  5, Witchcraft in literature. 
6. Jesuits—In literature.  7. Tragedy. I. Title. 
PR2823.W49  1995 
822.3'3—dce20  94-14201 
24681097531 
Printient dh e United States of America
mote Memory af - 
Frank and Elsie Meyer 
|  for oa the nights we spent  _ 
reading Shakespeare  together s, 
till dawn
The male witch with his magic circle, wand, and robe. From  the Art Collection of 
the Folger Shakespeare Library.  By permission of the Folger Shakespeare Library.
Acknowledgments 
This book began to shape itself in my mind during the early 1960s, 
when I taught Shakespeare  in the night school at the Johns Hopkins 
University.  In the early 1970s  I commuted  from  Baltimore  to  the 
Folger  Library  in  Washington  while  preparing  three  lectures  on 
Shakespeare which I delivered as Regents Professor of the University 
of California  at Santa  Barbara.  The third of those  lectures—“Lady 
Macbeth  and  the  Witches’”—was  repeated  at  several  universities, 
including Yale and Notre  Dame,  before  becoming Chapter Four of 
this book. I read for years with a view to expanding that lecture, but I 
had no opportunity to deal with the whole play until I was invited to 
deliver the Oxford  University Press Lectures  at the New York City 
Public  Library in May of 1993. 
I am grateful to both institutions—the  Press and the Library—for 
their gracious treatment  at those lectures,  and especially to Sheldon 
Meyer (of the former) and David Cronin (of the latter), as well as to 
the staffs  at  the Folger and Newberry  Libraries.  In expanding  the 
three  lectures  to  seven  chapters,  I benefited  from  the  expertise  of 
colleagues at Northwestern—William  Monter’s  deep knowledge  of 
Renaissance  witchcraft,  Lacey Baldwin  Smith’s  of Renaissance  En- 
glish history, and Mary Beth Rose’s of Renaissance English literature. 
Other scholars who gave generous help are  Leeds Barroll and David 
«  vii  »
Acknowledgments 
Bevington.  I could not take all their deeply appreciated advice  (one 
sometimes  disagreed with the other). Some  rightly warned  me  that 
suggestions  about performance,  in Stuart  or  in modern  times,  are 
necessarily  conjectural  and cannot  rank with other  matters  in their 
degree of certitude.  Admittedly.  But I risk such suggestions,  since I 
try to consider Shakespeare as creating performable meaning, not just 
words on a page. I offer some conjectures exempli gratia, to show these 
meanings could be performed—not  that they had to be done  in any 
single way. 
«  viii  »
Contents 
introduction  The  Trouble  with  Macbeth  1 
one  Gunpowder  11 
two  Witches  33 
three  Male  Witch  51 
four  Lady Macbeth  75 
five  Jesuits  91 
six  Malcolm  107 
seven  Macbeth  125 
cou lusina) =h e  Ts  of Performance  145 
Appendix I: Date of the Play  151 
Appendix II: Text of the Play  159 
Key to Brief Citations  165 
Notes  167 
Line Index  to the Play  203 
Index of Names  207 
«  ix  »
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