Table Of ContentUG Varia Musicologica 18.qxd 25.03.2010 13:28 Seite 1
In this volume fifteen musicologists from five countries present new 18
findings and observations concerning the production, distribution and
Erik Kjellberg (ed.)
use of music manuscripts and prints in seventeenth-century Europe.
A special emphasis is laid on the Düben Collection, one of the largest
music collections of seventeenth-century Europe, preserved at the
Uppsala University Library.
The papers in this volume were initially presented at an international
The Dissemination of Music
conference at Uppsala University in September 2006, held on the )
.
d in Seventeenth-Century Europe
occasion of the launching of The Düben Collection Database e
(
Catalogueon the Internet. For the first time, the entire collection had g
r
been made acessible worldwide, covering a vast number of musical be Celebrating the Düben Collection
l
and philological aspects of all items in the collection. l
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Erik Kjellberg is professor of Musicology at Uppsala University since n
i
1985. He has published many studies on music in Sweden – notably
aaarrriiiaaa
from the seventeenth century – based on extensive archival research.
In addition he is the author of books and articles on jazz.
uussiiccoollooggiiccaa
ISBN 978-3-0343-0057-5
Peter Lang
This document is licensed to Vitaly Zhdanov (3-11296097|00)
www.peterlang.com
UG Varia Musicologica 18.qxd 25.03.2010 13:28 Seite 1
In this volume fifteen musicologists from five countries present new 18
findings and observations concerning the production, distribution and
Erik Kjellberg (ed.)
use of music manuscripts and prints in seventeenth-century Europe.
A special emphasis is laid on the Düben Collection, one of the largest
music collections of seventeenth-century Europe, preserved at the
Uppsala University Library.
The papers in this volume were initially presented at an international
The Dissemination of Music
conference at Uppsala University in September 2006, held on the )
.
d in Seventeenth-Century Europe
occasion of the launching of The Düben Collection Database e
(
Catalogueon the Internet. For the first time, the entire collection had g
r
been made acessible worldwide, covering a vast number of musical be Celebrating the Düben Collection
l
and philological aspects of all items in the collection. l
e
j
K
k
i
r
E
18
ce
ip
s
o
u
r
Mu
E
f
oy
r
nu
ot
in
te
a
C
n
aria Musicologica mih-
t
en
18 se
se
Dint
e
ev
he
TS
Erik Kjellberg is professor of Musicology at Uppsala University since n
i
1985. He has published many studies on music in Sweden – notably
aaarrriiiaaa
from the seventeenth century – based on extensive archival research.
In addition he is the author of books and articles on jazz.
uussiiccoollooggiiccaa
Peter Lang
This document is licensed to Vitaly Zhdanov (3-11296097|00)
The Dissemination of Music
in Seventeenth-Century Europe
This document is licensed to Vitaly Zhdanov (3-11296097|00)
Varia Musicologica
Herausgegeben von
Peter Maria Krakauer
PETER LANG
Bern•Berlin(cid:129)Bruxelles(cid:129)Frankfurt am Main(cid:129)New York(cid:129)Oxford(cid:129)Wien
This document is licensed to Vitaly Zhdanov (3-11296097|00)
Erik Kjellberg (ed.)
The Dissemination of Music
in Seventeenth-Century Europe
Celebrating the Düben Collection
Proceedings from the International Conference
at Uppsala University 2006
PETER LANG
Bern(cid:129)Berlin(cid:129)Bruxelles(cid:129)Frankfurt am Main(cid:129)New York(cid:129)Oxford(cid:129)Wien
This document is licensed to Vitaly Zhdanov (3-11296097|00)
Bibliographic information published by Die Deutsche Bibliothek
Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie;
detailed bibliographic data is available on the Internet at ‹http://dnb.ddb.de›.
British Library and Library of Congress Cataloguing-in-Publication Data:
A catalogue record for this book is available from The British Library,
Great Britain, and from The Library of Congress, USA.
Library of Congress Cataloging-in-Publication Data
The dissemination of music in seventeenth-century Europe : celebrating the Düben
collection : proceedings from the International Conference at Uppsala University
2006 / Erik Kjellberg (ed.).
p. cm. – (Varia musicologica ; vol. 18)
Includes bibliographical references and index.
1. Dissemination of music–Europe–History–17th century–Congresses. 2. Uppsala
universitet. Düben collection–Congresses. 3. Music–Europe–17th century–
Congresses. 4. Music–Manuscripts–Europe–17th century–Congresses.
I. Kjellberg, Erik.
ML240.2.D57 2010
780.26–dc22
2010010201
This volume was financed by Riksbankens Jubileumsfond (The Bank of Sweden
Tercentenary Foundation) and Vetenskapsrådet (Swedish Research Council).
Cover illustration: Uppsala Cathedral and Gustavianum.
Photograph by Tommy Westling. 2006.
ISSN1660-8666
ISBN 978-3-0351-0068-6
© Peter Lang AG, International Academic Publishers, Bern 2010
Hochfeldstrasse 32, CH-3012 Bern, Switzerland
[email protected], www.peterlang.com, www.peterlang.net
All rights reserved.
All parts of this publication are protected by copyright.
Any utilisation outside the strict limits of the copyright law, without
the permission of the publisher, is forbidden and liable to prosecution.
This applies in particular to reproductions, translations, microfilming,
and storage and processing in electronic retrieval systems.
Printed in Germany
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(cid:2)
Contents
Foreword 7
ERIK KJELLBERG
Uppsala University
The Düben Family and the Düben Collection 11
KIA HEDELL
Uppsala University
The Missa super Im Mayen and the Düben Collection
in relation to the German Church Collection in Stockholm 33
JULIANE PEETZ
Ernst-Moritz-Arndt-Universität, Greifswald
The large Tablature Books in the Düben Collection 49
BARBARA WIERMANN
Hochschule für Musik und Theater, Leipzig
Vokal-instrumentale Werke in der Sammlung Düben –
Überlieferung und Aneignung 73
FRIEDHELM KRUMMACHER
Christian-Albrechts-Universität, Kiel
Vokalmusik der Dübensammlung im Repertoire der Zeit.
Fragen und Beispiele im Rückblick 107
KONRAD KÜSTER
Albert-Ludwigs-Universität, Freiburg/Br.
Fame, Politics, and personal Relationship:
Whom did Düben know in the Baltic Area? 149
PETER WOLLNY
Bach-Archiv, Leipzig
A Source Complex from Saxony in the Düben Collection 173
LARS BERGLUND
Uppsala University
The Roman Connection. The Dissemination and
Reception of Roman Music in the North 193
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6 Contents
ALEKSANDRA PATALAS
Jagiellonian University, Kraków
Ut oratio sit Domina. The Dispute between
Romano Micheli and Marco Scacchi 219
STEPHEN ROSE
Royal Holloway, University of London
The Composer as Self-Publisher in Seventeenth-Century
Germany 239
WERNER BRAUN
Universität des Saarlandes
Zeitereignisse in Meders Oper Die beständige Argenia (1680) 261
JAN OLOF RUDÉN
Stockholm
Ensemble Music copied by the Swedish Student
Nils Tiliander in Greifswald, Rostock and Wittenberg
1698–1699 279
KERALA J. SNYDER
Eastman School of Music, University of Rochester
Beyond Sources and Works.
A fresh Look at Buxtehude’s Legacy 305
ERIK KJELLBERG
Uppsala University
The Düben Database project 325
CARL-JOHAN BERGSTEN
Göteborg University
The Düben Database structure 329
ANDERS EDLING
Uppsala University Library
The use of the Düben Collection as seen in the
Correspondence of the Uppsala University Library 335
Index 345
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Foreword
The Düben Collection preserved at the Uppsala University Li-
brary in Sweden is the fons et origo of the present volume. In
2006 a long-term computer project focusing on this important
music collection from the 17th century reached its final stage
and was launched on the Internet. To celebrate this event an
invitation was sent to a number of scholars, who assembled in
Uppsala 7–9th September 2006 for a symposium bearing the
same name as this volume, and the papers are herewith made
available. They represent important additions to knowledge of
the Düben Collection in particular and to problems of music
dissemination in Europe during the 17th century in general.
The references given in each article illustrate the on-going
scholarly discourse over the years.
Since database and computer techniques have been a pre-
requisite for the project and also for the symposium, some re-
flections on these tools may well be warranted. Who could have
foreseen the impact of the computer on modern society some
twenty years ago? Internet has become everyone’s door to near
and distant worlds in time and space – a medium that has
stretched our ability and curiosity almost beyond belief. How-
ever, as is often the case with new inventions, different opinions
have accompanied the rapid and widespread use of computer
techniques in the ensuing years. Instant access to all kinds of
information may encourage superficiality. And the slim-lined
technology may suggest uniformities that seldom occur in ‘real
life’. So the critics could argue. But the computer in itself is no
enemy to man. It has proven to be an indispensable tool in our
daily routines and its enormous capability invites us to think
and re-think along new lines. The computer may be regarded as
an untiring and humble servant, maybe even a dear friend.
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8 Foreword
As early as the 1960s successful attempts were made to com-
bine musicology and computer techniques in the field of docu-
mentation and style analysis. Important pioneers were Barry S.
Brook and Jan LaRue in the States.
However in spite of the promises computer techniques
seemed to make, it took some years before these promises were
fulfilled on a larger scale. Only with more flexible and more or
less standardised programmes was it possible for the computer
to serve individuals in the musical community – whether
scholar, composer, or performer. The journal ‘Computing in
Musicology’ (from 1986) bears witness to the rapid progress in
a number of musicological disciplines.
Music is disseminated in many possible ways and for differ-
ent reasons, depending on practical or economical resources on
the one hand and ideological or political on the other. It is in-
teresting and even important to ask how music is made avail-
able in a particular era. The present volume is devoted to the
17th century. Fifteen scholars contribute to the main theme.
Their contributions may be divided into five areas:
1) The history and general make-up of the Düben Collection at
the Uppsala University Library (Kjellberg, Hedell, Peetz,
Wiermann,)
2) Certain or possible links between Sweden and Europe that
account for the assemblage of a large international repertoire
during this period (Küster, Wollny, Berglund)
3) Questions of sociological and aesthetic nature and specific
source problems (Krummacher, Snyder, Rose)
4) Examples of musical-cultural relations outside the Düben
Collection (Braun, Patalas, Rudén)
5) The database project and the use of the Düben Collection in
modern times (Kjellberg, Bergsten, Edling).
***
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