Table Of ContentNORTON ANTHOLOGY OF
WESTERN MUSIC
VOLUME 1: ANCIENT TO BAROQUE
FIFTH EDITION
■
NORTON ANTHOLOGY OF
WESTERN MUSIC
VOLUME 1: ANCIENT TO BAROQUE
FIFTH EDITION
NORTON ANTHOLOGY OF
WESTERN MUSIC
VOLUME 1: ANCIENT TO BAROQUE
FIFTH EDITION
Edited by
J. Peter Burkholder
and
Claude V. Palisca
W. W. NORTON & COMPANY
NEW YORK LONDON
Copyright © 2006, 2001,1996,1988,1980 by W. W. Norton & Company, Inc.
All rights reserved
Printed in the United States of America
ISBN 0-393-97990-3 (pbk.)
W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com
W. W. Norton & Company Ltd., Castle House, 75/76 Wells Street, London WiT 3QT
3456789°
CONTENTS
Making Connections: How to Use This Anthology xi
Acknowledgments xix
Recordings xxi
The Ancient and Medieval Worlds
Music in Antiquity
1 Epitaph of Seikilos, song (epigram) 1
2 Euripides: Orestes, Greek tragedy, excerpt: Stasimon chorus 4
Roman Liturgy and Chant
3 Mass for Christmas Day, Gregorian chant Mass 7
(a) Introit: Puer natus est nobis 8
(b) Kyrie 11
(c) Gloria 12
(d) Gradual: Viderunt omnes 14
(e) Alleluia: Dies sanctificatus 16
(f) Credo 17
(g) Offertory: Tui sunt caeli 20
(h) Sanctus %%
(i) Agnus Dei
(j) Communion: Viderunt omnes 554
(k) Ite, missa est 35
4 Chants from Vespers for Christmas Day, Gregorian chant Office
(a) First Antiphon: Tecum principium, with psalm Dixit Dominus %6
(b) Hymn: Christe Redemptor omnium 37
5 Ascribed to Wipo of Burgundy: Victimaepaschali laudes, sequence 3o
6 Tropes on Puer natusQuern queritis inpresepe and Melisma 3?
7 Hildegard of Bingen: Ordo virtutum, sacred music drama: Chorus, Inprincipio
omnes 36
Song and Dance Music in the Middle Ages
8 Bernart de Ventadorn: Can vei la lauzeta mover, canso (troubadour song) 39
9 Comtessa de Dia-.A chantar, canso (troubadour song) 43
10 Adam de la Halle: Jeu de Robin et de Marion-. Rondeau, Robins m’aime 46
11 Walther von der Vogelweide: Palastinalied (Nu air est lebe ich mir werde),
Minnelied 48
12 Cantiga 159: Non sofre Santa Maria, from Cantigas de Santa Maria 51
13 La quarte estampie royal, from Le manuscrit du roi 55
v
Contents
VI
Polyphony through the Thirteenth Centuiy
14 Organa from Musica enchiriadis
(a) Tu patris sempitemus es filius 58
(b) Sit gloria domini 58
(c) Rex caeli domine 59
15 Alleluia Justus utpalma, free organum, from Ad organum faciendum 61
16 Jubilemus, exultemus, versus in Aquitanian polyphony 63
17 Leonin: Viderunt omnes, organum duplum 67
18 Clausulae on Dominus from Viderunt omnes
(a) Dominus, clausula No. 36 76
(b) Dominus, clausula No. 29 77
19 Perotim Viderunt omnes, organum quadruplum 79
20 Ave virgo virginum, conductus 95
21 Motets on Tenor Dominus
(a) Factum est salutare/Dominus 98
(b) Foie acostumance/Dominus 100
(c) Super te/Sed fulsit/Primus tenor/Dominus 104
22 Adam de la Halle: De ma dame vient/Dieus, commentporroie/Omnes, motet
109
23 Sumer is icumen in, rota 116
French and Italian Music in the Fourteenth Centuiy
24 Philippe de Vitry: In arboris/Tuba sacre fidei/Virgo sum, motet 121
25 Guillaume de Machaut: La Messe de Nostre Dame, mass: Kyrie 1257
26 Guillaume de Machaut: Rose, liz, printemps, verdure, rondeau i33
27 Johannes Ciconia: Sus unefontayne, virelai 137
28 Jacopo da Bologna: Fenicefii, madrigal 144
29 Gherardello da Firenze: Tosto che I’alba, caccia 146
30 Francesco Landini: Non avra ma’pieta. ballata 153
The Renaissance
England and Burgundy in the Fifteenth Centuiy
31 Alleluia, A newe work, carol *56
32 John Dunstable: Quampulchra es, motet or cantilena 159
33 Binchois (Gilles de Bins): Deplus enplus, rondeau i63
34 Guillaume Du Fay: Resvellies vous, ballade 166
35 Guillaume Du Fay: Conditor alme siderum, hymn in fauxbourdon style 170
36 Guillaume Du Fay: Se la face ay pale
(a) Se la face ay pale, ballade 173
(b) Missa Se la face ay pale, cantus-firmus mass: Gloria 174
Franco-Flemish Composers, 1450—11530
37 Jean de Ockeghem: Missa De plus enplus, cantus-firmus mass: Agnus Dei 187
38 Henricus Isaac: Innsbruck, ich muss dich lassen, Lied 194
39 Josquin des Prez:Ave Maria . . . virgo serena, motet 198
40 Josquin des Prez: Missa Pange lingua, paraphrase mass: Excerpts
(a) Kyrie 307
(b) Credo, excerpt: Et incarnatus est and Crucifixus 311
41 Josquin des Prez (?): Mille regretz, chanson 317
Contents vii
Sacred Music in the Era of the Reformation
42 Martin Luther: Nun komm, derHeiden Heiland and Ein’feste Burg, chorales
(a) Attributed to St. Ambrose: Veni redemptorgentium, hymn 331
(b) Martin Luther: Nun komm, derHeiden Heiland 333
(c) Martin Luther: Ein’feste Burg 333
(d) Johann Walter: Ein’feste Burg, setting for four voices 335
43 Loys Bourgeois: Psalm 184, Orsus, serviteurs du Seigneur, metrical psalm
(a) Psalm 184, Orsus, serviteurs du Seigneur 3218
(b) William Kethe: Psalm 100, All people that on earth do dwell 339
44 William Byrd: Sing joyfully unto God, full anthem 33i
45 Giovanni Pierluigi da Palestrina: Pope Marcellus Mass, mass: Excerpts
(a) Credo 343
(b) Agnus Dei I 3^3
46 Tomas Luis de Victoria: 0 magnum mpsterium
(a) 0 magnum mpsterium, motet 359
(b) Missa 0 magnum mpsterium, imitation mass: Kyrie 363
47 Orlando di Lasso: Tristis est anima mea, motet 367
Madrigal and Secular Song in the Sixteenth Century
48 Juan del Encina: Op comamos pbebamos, villancico 3?3
49 Marco Cara: Io non compropiu speranza, frottola 376
50 Jacques Arcadelt: II bianco e dolce cigno, madrigal 379
51 Cipriano de Rore: Da le belle contrade d’oriente, madrigal s83
52 Luca Marenzio: Solo epensoso, madrigal 389
53 Carlo Gesualdo: "Ioparto” e nonpiii dissi, madrigal 3o3
54 Claudin de Sermisy: Tant que vivrap, chanson 3o8
55 Claude le Jeune: Revecp venir duprintans, chanson 3i3
56 Thomas Morley: Mp bonnp lass she smileth, ballett 330
57 Thomas Weelkes: As Vesta was, madrigal 334
58 John Dowland: Row, mp tears, air or lute song 339
The Rise of Instrumental Music
59 Pierre Attaingnant (publisher): Dances from Danseries a 4 parties,
second livre
(a) No. i: Basse danse 344
(b) No. 36: Branle gay, Queje chatoulle tafossette 345
60 Luis de Narvaez: From Los seps libros del Delphin, intabulation
and variations for vihuela
(a) Cancion Mille regres, intabulation of Josquin’s Mille regretz 349
(b) Cuatro diferencias sobre "Guardame las vacas, ” variations 351
61 William Byrd: Pavana Lachrpmae, pavane variations 3^5
62 Giovanni Gabrieli: Canzon septimi toni a 8, from Sacrae spmphoniae,
ensemble canzona 36i
The Seventeenth Century
New Styles in the Seventeenth Century
63 Claudio Monteverdi: Cruda Amarilli, madrigal 374
64 Giulio Caccini: Vedro ’l mio sol, solo madrigal 38o
VIII Contents
The Invention of Opera
65 Jacopo Peri: Le musiche sopra VEuridice, opera: Excerpts
(a) Prologue: Io, ched’alti sospir, strophic aria 386
(b) Aria: Nel pur ardor 387
(c) Dialogue in recitative: Per quel vago boschetto 389
66 Claudio Monteverdi: L'Orfeo, opera: Excerpt from Act II
(a) Aria/canzonetta: Vi ricorda 0 boschi ombrosi 397
(b) Song: Mira, deh mira Orfeo 405
(c) Dialogue in recitative: Ahi, caso acerbo 406
(d) Recitative: Tu se' morta 41?
(e) Choral madrigal: Ahi, caso acerbo 414
67 Claudio Monteverdi: L’incoronazione di Poppea, opera: Act I, Scene 3 431
68 Antonio Cesti: Orontea, opera: Excerpt from Act II
(a) Scene 16: E che si fa? 434
(b) Scene 17, opening aria: Intomo all’ idol mio 435
Music for Chamber and Church in the Early Seventeenth Century
69 Barbara Strozzi: Lagrime mie, cantata 442
70 Alessandro Grandi: 0 quam tupulchra es, solo motet (sacred concerto) 45?
71 Giacomo Carissimi: Historia dijephte, oratorio: Excerpt
(a) Recitative: Plorate colies 457
(b) Chorus: Plorate filii Israel 463
72 Heinrich Schtitz: 0 lieber Herre Gott, SWV 387, sacred concerto,
from Kleine geistliche Konzerte I 471
73 Heinrich Schtitz: Saul, was verfolgst du mich, SWV 415, sacred concerto,
from Symphoniae sacrae III 477
74 Girolamo Frescobaldi: Toccata No. 3 495
75 Girolamo Frescobaldi: Ricercare after the Credo, from Mass for the Madonna,
in Fiori musicali 498
76 Biagio Marini: Sonata IVper il violino per sonar con due corde, sonata for violin
and continuo 50?
France, England, Spain, and the New World in the Seventeenth Centuiy
77 Jean-Baptiste Lully-.Armide, opera: Excerpts
(a) Overture 511
(b) Act II, Scene 5: Enfin il est en mapuissance ^i3
78 Elisabeth-Claude Jacquet de la Guerre: Suite in A Minor, keyboard suite,
from Pieces de clavecin
(a) Prelude 522
(b) Allemande 535
(c) Courante I and II 5556
(d) Sarabande 538
(e) Gigue 539
(f) Chaconne ^3o
(g) Gavotte 53?
(h) Menuet 533
