Table Of Content¨
HISTORIES OF HEINRICH SCHUTZ
BettinaVarwigplacesthemusicofthecelebratedDresdencomposer
Heinrich Schu¨tz in a richly detailed tapestry of cultural, political,
religious and intellectual contexts. Four key events in Schu¨tz’s
career – the 1617 Reformation centenary, the performance of his
Dafnein1627,the1636funeralcompositionMusicalischeExequien,
and the publication of his motet collection Geistliche Chor-Music
(1648) – are used to explore his music’s resonances with broader
historical themes, including the effects of the Thirty Years War,
contemporary meanings of classical mythology, Lutheran attitudes
to death and the afterlife, as well as shifting conceptions of time
and history in light of early modern scientific advances. These
original seventeenth-century circumstances are treated in counter-
point with Schu¨tz’s fascinating later reinvention in nineteenth- and
twentieth-centuryGermanmusicalculture,providinganewkindof
musicological writing that interweaves layers of historical inquiry
from theseventeenth century to thepresent day.
bettina varwig
isamusichistorianwithwide-ranginginterests
in early modern European culture. She has held fellowships at
Magdalen College, Oxford, and the University of Cambridge, and
isnowalectureratKing’sCollegeLondon.Shehaspublishedwidely
on the music of Heinrich Schu¨tz and J.S. Bach. This is her first
book.
MUSICAL PERFORMANCE AND RECEPTION
Generaleditors
johnbutt and laurence dreyfus
This series continues the aim of Cambridge Musical Texts and Monographs to
publish books centred on the history of musical instruments and the history of
performance, but broadens thefocusto include musicalreception inrelation to
performance and as areflection ofperiodexpectations andpractices.
Publishedtitles
Playing with History: TheHistorical Approach to Musical Performance
john butt
Palestrina and the German RomanticImagination: Interpreting Historicism
inNineteenth-CenturyMusic
james garratt
Eight Centuries ofTroubadoursand Trouv`eres: TheChangingIdentity
ofMedievalMusic
john haines
TheKeyboardin Baroque Europe
christopher hogwood (ed.)
TheModern InventionofMedieval Music:Scholarship, Ideology, Performance
daniel leech-wilkinson
Performing Brahms: EarlyEvidence ofPerformance Style
michael musgrave and bernard sherman (eds)
Stradivari
stewart pollens
Beethoven the Pianist
tilman skowroneck
The French Organin the Reign of Louis XIV
david ponsford
Bach’s Feet:TheOrgan Pedals inEuropeanCulture
david yearsley
Histories ofHeinrich Schu¨tz
bettina varwig
HISTORIES OF
¨
HEINRICH SCHUTZ
BETTINA VARWIG
cambridge university press
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Firstpublished2011
PrintedintheUnitedKingdomattheUniversityPress,Cambridge
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Varwig,Bettina,1978–
HistoriesofHeinrichSchu¨tz/BettinaVarwig.
p. cm.– (Musicalperformanceandreception)
Includesbibliographicalreferencesandindex.
ISBN978-0-521-19765-6(Hardback)
1. Schu¨tz,Heinrich,1585–1672–Criticismandinterpretation. 2. Performancepractice
(Music)–History–17thcentury. I. Title. II. Series.
ML410.S35V472011
782.202092–dc22
2011015543
ISBN978-0-521-19765-6Hardback
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In memoriam
Gisela de Boor
Hildegard Varwig
Contents
List of abbreviations page viii
List of music examples ix
List of figures xi
Acknowledgments xiii
Introduction 1
1. Trumpets and drums (Psalmen Davids, 1617) 8
Paraphrase 1: Lutheran Schu¨tz 44
2. Echoes, mirrors and masks (Dafne, 1627) 58
Paraphrase 2: Operatic Schu¨tz 94
3. Life, death and afterlife (Musicalische Exequien, 1636) 109
Paraphrase 3: Monumental Schu¨tz 144
4. Old and new worlds (Geistliche Chor-Music, 1648) 161
Paraphrase 4: Rhetorical Schu¨tz 194
Conclusion 213
Chronology 216
Bibliography 219
Index 245
vii
Abbreviations
MuK Musik und Kirche
NSA Heinrich Schu¨tz: Neue Ausgabe sa¨mtlicher Werke, ed. Werner
Bittinger et al. (Kassel: Ba¨renreiter, 1955–)
SD Schu¨tz-Dokumente, vol. I: Schriftstu¨cke von Heinrich Schu¨tz,
ed. Michael Heinemann (Cologne: Dohr, 2010)
SJb Schu¨tz-Jahrbuch
ZfM Zeitschrift fu¨r Musik
ZfMw Zeitschrift fu¨r Musikwissenschaft
viii
Music examples
1.1. Heinrich Schu¨tz, SWV 45 (Psalmen Davids),
Parte per le Trombette, end page 16
1.2. Schu¨tz, SWV 472, trumpets and timpani,
bars 237–40 17
1.3. Schu¨tz, SWV 45, bars 254–75 35
1.4. Schu¨tz, SWV 43 (Psalmen Davids), bars 174–99 39
2.1. Claudio Monteverdi, ‘Audi coelum’
(Vespro della Beata Vergine), bars 1–9 62
2.2. Monteverdi, L’Orfeo, Act V/1, excerpt 63
2.3. Carlo Farina, ‘Gagliarda’ (Il terzo libro delle pavane,
gagliarde, brandi, mascherata, arie franzese, volte, corrente,
sinfonie), bars 1–22 64
2.4. Schu¨tz, SWV 333 (Kleine geistliche Concerte I), bars 8–18 66
2.5. Christopher Demantius, ‘Als Daphne keusch und
scho¨n von Art’ (Convivalium concentuum farrago),
bars 1–8 76
2.6. Schu¨tz, SWV 441, bars 24–33 80
2.7. Schu¨tz, SWV 265 (Symphoniae sacrae I), bars 112–30 85
P2.1. ‘German Christmas Carol’, in F. M. Po¨ttru¨cher,
‘Heinrich Schu¨tz als Opernkomponist’, ZfM 103 (1936),
156 99
3.1. Monteverdi, ‘Duo Seraphim’ (Vespro della Beata Vergine),
bars 20–9 113
3.2. Schu¨tz, SWV 281 (Musicalische Exequien), bars 1–17 115
3.3. Schu¨tz, SWV 281, bars 103–23 126
3.4. Schu¨tz, SWV 281, bars 37–40 129
3.5. Schu¨tz, SWV 281, bars 63–73 130
3.6. Schu¨tz, SWV 501, bars 17–23 136
3.7. Schu¨tz, SWV 279 (Musicalische Exequien), bars 231–5 142
4.1. Schu¨tz, SWV 379 (Geistliche Chor-Music), bars 1–8 185
4.2. Schu¨tz, SWV 371 (Geistliche Chor-Music), bars 1–22 187
4.3. Schu¨tz, SWV 371, bars 31–4 189
4.4. Schu¨tz, SWV 371, bars 94–107 190
ix
