Table Of ContentBY JOSEPH SHEPPARD
ANATOMY
ACOMPLETE GUIDE FOR ARTISTS
BY JOSEPH SHEPPARD
conan 1078 y seen Gur aon
CONTENTS
Induction 9
1,PROPORTION II 3. THEHAND 65
Lanrnarhs
Schematic Drawings 68
Palm Skis 66
2. THEARM 19 Deck ofthe Hand 68
ie Drawings 20 Thumiy Side 71
Pei Ost (Supination) 20
dbick Vie Palm Gus (Supimation 22
Fre View, al In (Pronation) 2
ain In (Peonation) 25
Muscles
1 ‘Table of Musele Origins and Insertions 76
Pee nee 4. THELEG 83
Outsies of Arse, Promatet
Froat View, Avo Raised Avsay from Rady 30
Beck View, Atm Raised Away fons Bods 31
Ouse View. Biceps Fleved 22
‘Arm blexsd 33
Schematic Drawings $4
Frost View 84
Back Vi
Outside of Leg 88
nile of Lez 90
Front View, Eateaded wit Toes Pointing Oot
Hack View, Extended with Toes Pointing Out
ler Socket
Upp ta 36 Ouside View: Login Vlesed Position 94
Shoulder Joiat 40 Insite View, Log in Flesed Poston 93
or a Froct ofthe Inside of Flexed Leg. with Knee Pointed Out 96
fe Bones 97
Bones ofthe Manel in! Wrist 48
Wrist Joint 50 ie
Upner Leg (Femur) 00
Museley 52 Hip doin 10
Pruntof Arm 52 Tawer Leg (Tibia and Fihalay 107
ures of Ae
Rack ot Ae 5
Kaee Joint LL
6 ones of the Fai 113
‘Ankle Joint 115
‘Tablleot Muscle Orig
Tusertions 58
Swrfuce Anatomy 59 Muscles 117
Table of Musele Origins and Insertions 120
Surface Anatomy 121
5. THE FOOT
Selienatie Drawings 125
Outside of Foot 128
Inside of Foot 130
Pron View 131
Mack View | 132
Foot 133
Bottom of Foot 1
127
Museles 135
Table of Muscle Origins and Insertions 140
Surface Anatomy 147
6 THETORSO 145
Schematic Drawings 146
Frove 116
Back View 148
Side View 150
Back View with Torso Rent and Art Risse) 152
‘ol Tors with Am Raised Lorsied 153
Site View of Torso with Atm Pulled Back = 154
Front Wisw of Torso with Aras Raised 155
Bones 156
Column 156
Tus 162
Armpit 166
able of Muscle Origins and Insertions. 168
Sueface Anatomy 169
7 HEADAND NECK 175
Schematie Drawings 176
rons View 175
Sice rd
Front View wih Heal aml Neck Turned 178
Sice View with lead Dawn 179
Side View with Head xo
ones 181
Skul 181
Neck Joist 184
Muscles 186
Table of Muscle Origins
sertions 188;
Susfave Anatomy fie Neck 189)
the Keates 192
Far 1)
Lips 198
Eye 201
Teeth 202
aL Uxpressions %
8. COMPLETE FIGURE 211
Vein 221
INTRODUCTION
1 Sis stertod drawing bad copies af
Yacgns and Petty gfe nie’
ragicines when Le tbe yes
ld [started art school at eigiteen
ard hapnily discovered 2
pls of pining an seutpcr rom
the Goes uy the Base the
Figure the maim means of expression
Tere! et the Maryan taste
baler Jacques Mvoget, whe nar any
braeit paling bot snsiomy. Maveper
stresied drasing throngh ering Basle
sntcorieal forms, He eleve that 2
master drfismen ofthe Rensesance
acl sim feemalas fw erating the
fu, whic exh the enorme
‘moot of information miny acquired
while sll young. Maroger used the
thssmout ofprin: Paul Risher anatomy
‘sure in ht leeares, [ound myst
Speding nights atthe Bruch Pratt
ier tracing all 110 plates rn that
thee ok, (Ti bk is rece
Teen rssued by Weteun- Gut inst
English tremation by Robert Boveay
Hale undo the tile Avie Anatony.)
‘Regine Marsh, Marozer's cise
frond, sould visi our ace in Bale
‘avs frn ine to me and mas @
pyeat inspiration t the stedents, He
‘wold sit down i cis se ware
Sides. Mats sta the great igre
Grattan of oar tne and would de-
light in showing ws simple tle
Schemes of narbers snl shapes Mist
token pl tetaer ould repent
mossy a bones
Marsh made me realize ho much L
ian na abe the Azure. Twas
fmbarasced "9 pur puss n my fist
mings hoeause I drew so poorly. T
"ol him thas som a Learned ow
to dee the pute properly Fas
foing ll my egtvanes ith them,
He sid, “1 them fangs. You
have to pont bad anes ard mak is:
kos mode te improve. IF yea wait
Past she figures” Since thet tne tere
shay eas tha Epi ht
Alea uve the funn form pre
send on i
Tn 1957, Tent to Funope oo 4
Ciuagenhoim Fellowship, planing
print and onpy every Rs bens painting
Taal find. Insteae I fousd myst
Ursin fro Greek and Renaissunoe
Sales, Here ll te anatomy wae
‘worked ont, explsined, ania the
Foun. All ne fa hf wa Wie
_Bventoslly 1 found myself beck st
the Marglant Tete his tnt asa
teacher, teaching painting anc We
Arguing, Ta the lite cls, T discovered
That Teal seh sadents how te
Ako from the live model i they did't
hive any enstomieal knowledge.
Jked arcin for an enatomns hao 29
ase in els ut fora the ll either
tom ail and Lets oe
‘it lol denen and sage, So
mnae up yy own chars, xeroxed
‘hem, and world inject an anatomy
Isetea fate my feels sash day
‘My chins, alter several yours of ty
Ig, testing, and changing, fnlly de-
‘Sloped into this Hoos. We isnot &
elles Boek, But a hock fe acts
IBecstve of the rin atin in bane
sande, 1 ave chem wht 1
Chink the simplest form for the urtist
(understand Leave taken hiberios
for te sake of clarity omitng many
‘ouTre pond ents y Tl nor
of dhe anderlyng maces se subst
ling the Engtisaeqoivaent tor mech
ofthe Lavi temincleay
AS tere are to legs, 1 sem. 80
foot ef, L have chosen to shew ealy
the vee side, That yf ie ep the
Fh fot on son The bs
‘hal ae sw i thee entire
“The nfarmaton inthis honk is a
umaiatve wie fm 3oaes of
Staying ceasing, panting al sol
re ofthe grea periods vf aE
Ion Jacques Meruger, Resid
Marsh, MichelangsIe, Peter Paul
[Rsbens and all those other “Ot
Masters” for whotevse knoe 1
the Reader
Note
“Th abc disso of the body nto
sure prs way make fr the most
efeen ey tying i ut ean
vs he somewhtmisleng, Por ex
mls, meny of the zm mseles ox
fen imo te had mules, many of
the Ip tuscle extend int the fn
ants, snd the mses ofthe nek
ri hel te sil ntesemnce
Thherwone, because ts novesety to
now where the atsele ors and
rset inode ta understate,
ithe only ay muscle ogi
rsertion can be explained isin terms
‘of the bones, T have instuded the Bones
‘tthe ain
ene of he fot he hap
the eg nl combined the ae
snd the neo in asingle chapter. Afr
the bunes ure studied as a uni, the
uel abe std separately fa
their acral secnenes
he chaptes an he am,
PROPORTION
Troporton vars as uch is
do, Tlowever, the else gare,
Greck and Rensssines, ws
heodslength Bure, te head
sted a the une of measure, Maaneris
tis ereted an elongated figure,
sing ine, ten, or move head Teast
Ta nature, the average figure height &
hetwcen seven sd eight esc.
Tho cihtcheats length igae seems
by far the bes; it wives dignity to dhe
gue asso seems toe the mst
Landeacks
(Certuin bones project on she surtace of
vy, becoming important land-
marke fo he artis These bones are
says next ta Pe skin, Om thin pe
fon thoy protrude and ca 3 heavy
ees they show 8 ciples,
Q
Steal noi
End of clvile and sespala
[Bototn end of stem
Inside f elbow (humerus)
Ridge of peels
abi bone
‘Thur side wt wrist (acne)
Lite ager side af wes (ana)
Inside of upper past of knee
(em
Inside of lower part of kc (tibia)
Knecesp (pula)
esd 9¢ feta
Ouatsice of ankle (tbula)
Tide of ale (bia)
Stinbooe (ui)
Nivel
ipbens (Semury
Soventh cervial vertebra
Boom of seapult
Dirnplos eased hy end of tine
spine
Bach of elbow ¢vina head)
Head of radius
HeROwOZErRS
22
smaddbe. of
boda,
4
{Peoat view, mle igure, ght heads igh
oe
Se
aT
