Table Of ContentThis page intentionally left blank
THE JEWESS IN NINETEENTH-CENTURY
BRITISH LITERARY CULTURE
Stories about Jewesses proliferated in nineteenth-century Britain as
debatesragedabouttheplaceoftheJewsinthemodernnation.Chal-
lenging the emphasis in previous scholarship on antisemitic stereo-
typesinthisperiod,NadiaValmanarguesthattheliteraryimageof
the Jewess – virtuous, appealing and sacrificial – reveals how hostil-
itytowardsJewswasaccompaniedbypity,identificationanddesire.
Readingarangeoftextsfrompopularromancetotherealistnovel,she
investigateshowthecomplexfigureoftheJewessbroughttheinstabil-
itiesofnineteenth-centuryreligious,racialandnationalidentityinto
uniquelysharpfocus.TracingtheJewess’snarrativefromitsbeginnings
inRomanticandEvangelicalliterature,andreadingcanonicalwriters
includingWalterScott,GeorgeEliotandAnthonyTrollopealongside
moreminorfiguressuchasCharlotteElizabethTonna,GraceAguilar
andAmyLevy,Valmandemonstratesthemyriadtransformationsof
thisstoryacrossthecentury,aswellasitsremarkablepersistenceand
power.
Nadia Valman isLecturerinVictorianLiteratureatQueenMary,
UniversityofLondon.Shehasco-editedTheImageoftheJewinEuro-
peanLiberalCulture,1789–1914(2004)withBryanCheyette;Remem-
beringCableStreet:FascismandAnti-FascisminBritishSociety(1999)
and Philosemitism, Antisemitism and ‘the Jews’: Perspectives from the
MiddleAgestotheTwentiethCentury(2004),bothwithTonyKushner;
andThe‘Jew’inlate-VictorianandEdwardianCulture:FromtheEast
EndtoEastAfrica(2007),withEitanBar-Yosef.
cambridge studies in nineteenth-century
literature and culture
Generaleditor
GillianBeer,UniversityofCambridge
Editorialboard
IsobelArmstrong,BirkbeckCollege,London
KateFlint,RutgersUniversity
CatherineGallagher,UniversityofCalifornia,Berkeley
D.A.Miller,ColumbiaUniversity
J.HillisMiller,UniversityofCalifornia,Irvine
DanielPick,BirkbeckCollege,London
MaryPoovey,NewYorkUniversity
SallyShuttleworth,UniversityofOxford
HerbertTucker,UniversityofVirginia
Nineteenth-century British literature and culture have been rich fields for inter-
disciplinary studies. Since the turn of the twentieth century, scholars and crit-
ics have tracked the intersections and tensions between Victorian literature and
thevisualarts,polities,socialorganization,economiclife,technicalinnovations,
scientific thought – in short, culture in its broadest sense. In recent years, theo-
retical challenges and historiographical shifts have unsettled the assumptions of
previous scholarly synthesis and called into question the terms of older debates.
Whereasthetendencyinmuchpastliterarycriticalinterpretationwastousethe
metaphor of culture as ‘background’, feminist, Foucauldian, and other analyses
haveemployedmoredynamicmodelsthatraisequestionsofpowerandofcircu-
lation.Suchdevelopmentshavereanimatedthefield.Thisseriesaimstoaccom-
modateandpromotethemostinterestingworkbeingundertakenonthefrontiers
ofthefieldofnineteenth-centuryliterarystudies:workwhichintersectsfruitfully
withotherfieldsofstudysuchashistory,orliterarytheory,orthehistoryofscience.
Comparativeaswellasinterdisciplinaryapproachesarewelcomed.
Acompletelistoftitlespublishedwillbefoundattheendofthebook.
iii
THE JEWESS IN
NINETEENTH-CENTURY
BRITISH LITERARY
CULTURE
NADIA VALMAN
CAMBRIDGEUNIVERSITYPRESS
Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo
Cambridge University Press
The Edinburgh Building, Cambridge CB28RU, UK
Published in the United States of America by Cambridge University Press, New York
www.cambridge.org
Information on this title: www.cambridge.org/9780521863063
© Nadia Valman 2007
This publication is in copyright. Subject to statutory exception and to the provision of
relevant collective licensing agreements, no reproduction of any part may take place
without the written permission of Cambridge University Press.
First published in print format 2007
ISBN-13 978-0-511-27825-9 eBook (EBL)
ISBN-10 0-511-27825-X eBook (EBL)
ISBN-13 978-0-521-86306-3 hardback
ISBN-10 0-521-86306-6 hardback
Cambridge University Press has no responsibility for the persistence or accuracy of urls
for external or third-party internet websites referred to in this publication, and does not
guarantee that any content on such websites is, or will remain, accurate or appropriate.
Formyparents
[Hers]isatypethatsometimes,justnowandagain,canbesopatheticallynoble
andbeautifulinawoman,sosuggestiveofchastityandthemostpassionatelove
combined...lovethatimpliesallthebigpracticalobligationsandresponsibilities
of human life, that the mere term ‘Jewess’ (and especially its French equivalent)
brings to my mind some vague, mysterious, exotically poetic image of all I love
bestinwoman.
GeorgeduMaurier,TheMartian(1897)
There is in the words ‘a beautiful Jewess’ a very special sexual signification, one
quitedifferentfromthatcontainedinthewords‘beautifulRumanian,’‘beautiful
Greek,’or‘beautifulAmerican,’forexample.Thisphrasecarriesanauraofrape
and massacre. The ‘beautiful Jewess’ is she whom the Cossacks under the czars
dragged by her hair through the streets of her burning village. And the special
workswhicharegivenovertoaccountsofflagellationreserveaplaceofhonorfor
theJewess.Butitisnotnecessarytolookintoesotericliterature...theJewesshas
awell-definedfunctionineventhemostseriousnovels.
Jean-PaulSartre,Anti-SemiteandJew(1946)
Inher,likeus,thereclashed,contendingpowers,
Germany,France,Christ,Moses,Athens,Rome.
Thestrife,themixtureinhersoul,areours
MatthewArnold,‘RachelIII’(1867)
Description:Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the modern nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appeali
