Table Of ContentWhERE WomEn cREaTE
ThEIR QUILTS • ThEIR STUDIoS • ThEIR SToRIES
Jo Packham
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With each new title that I create, I meet artisan women
and men that are so inspiring, so talented, and so giving
of their talents that I am always just a little taken by
surprise. How can so many artists create and share so much?
How are there enough hours in the day to do all that they do
with such forethought, planning, execution, and precision?
I would consider the making of just one quilt created by
the designers on these pages or by the thousands of quilters
around the world to be a lifetime achievement. Yet, these
women and men create new techniques, new designs, and new
finished quilts in numbers that I cannot even imagine.
And what is most remarkable to me is that none of us,
regardless of how much we quilt, can ever fully understand
the planning, the decision making, the execution, and the
precision that goes into the quilts made by our fellow
quilters — because each quilt and quilter is so different,
each approach so individual, and each design so personal.
Unlike these artisans and the quilters in my family, I
do not believe that I will ever create a finished quilt
comparable to those on these pages or those that have been
passed down through the generations in my family. But, I do
want to thank each designer you will read about here as well
as my mother, grandmother, and my aunt for their inspiration,
heritage, and devotion to a craft. These designers truly
are each a favorite and I am honored to represent them on
these pages. I am forever grateful to each of you.
Much love always,
Jo
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CONTENTS
Jo Packham . . . . . . . . . . . . . . . . . 8
Jina Barney. . . . . . . . . . . . . . . . . 20
Janet Bolton . . . . . . . . . . . . . . . . 28
Amy Butler . . . . . . . . . . . . . . . . . 36
David Butler . . . . . . . . . . . . . . . . 44
Judith Content . . . . . . . . . . . . . . . 52
Hoodie Cresent . . . . . . . . . . . . . . . 60
Tina Givens. . . . . . . . . . . . . . . . . 68
Heather Grant. . . . . . . . . . . . . . . . 76
Alissa Haight Carlton. . . . . . . . . . . . 86
Brigitte Heitland. . . . . . . . . . . . . . 94
Lori Holt. . . . . . . . . . . . . . . . . 102
Leslie Jenison . . . . . . . . . . . . . . 110
Liza Prior Lucy and Kaffe Fassett. . . . . 118
Katie Pasquini Masopust. . . . . . . . . . 126
Kaari Meng . . . . . . . . . . . . . . . . 134
Amanda Murphy. . . . . . . . . . . . . . . 142
Michele Muska. . . . . . . . . . . . . . . 150
Tula Pink. . . . . . . . . . . . . . . . . 158
Victoria Findlay Wolfe . . . . . . . . . . 166
Credits. . . . . . . . . . . . . . . . . . 174
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Online Content
Jina Barney page 20 Amy Butler page 36 David Butler page 44 Lori Holt page 102
Judith Content page 52 Hoodie Cresent page 60 Tina Givens page 68 Katie Pasquini Masopust page 126
Heather Grant page 76 Alissa Haight Carlton page 86 Brigitte Heitland page 94 Michele Muska page 150
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Learn how to create more than 80 quilt patterns with variations of the contributing artists’ 12" x 12" quilt blocks.
Online instructions can be easily accessed at www.quarrybooks.com/page/women-create-quilts.
David Butler page 44 Lori Holt page 102 Leslie Jenison page 110 Liza Prior Lucy and Kaffe Fassett page 118
Tina Givens page 68 Katie Pasquini Masopust page 126 Kaari Meng page 134 Amanda Murphy page 142
Brigitte Heitland page 94 Michele Muska page 150 Tula Pink page 158 Victoria Findlay Wolfe page 166
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Jo Packham 12" x 12" QUILT BLOCK DESIGN
Jo Packham, creator and editor-in-chief of Where I cannot recall a time when fabric, sewing, and
Women Create, has been a leading innovator in the quilting were not part of my life. For as long as I can
handmade publishing market for more than 30 years. remember, I have loved textiles and all that can be
Her publishing company, WWC Press, is an imprint created with them, especially the quilts. My childhood
of Quarry Books. WWC Press also partners with memories are seasoned with the color and texture of
Stampington & Company to produce the bestselling
the quilts I slept beneath for warmth, worked on for
magazines Where Women Cook—The Heart & Soul
pleasure, and appreciated for beauty. I have treasured
of Cooking, Where Women Create—Inspiring Work
memories of going through my mother’s cedar chest
Spaces of Extraordinary Women, and her newest
and carefully unwrapping the tissue-protected quilt
publication, Where Women Create BUSINESS—The
that my grandmother made for me before I was born
Passion of Success.
— or maybe it was the quilt she made for my sister
Jo has authored bestselling titles: Where Women
that was later taken from the cedar chest to shelter
Create, Where Women Create: Book of Organization,
me from the cold winter wind. Either way, the quilts
Where Women Cook: CELEBRATE!, and Pieography:
that were created by my mother’s mother continue to
Where Pie Meets Biography.
be lovingly stored and gently wrapped in tissue in my
own cedar chest.
8
WHERE WOMEN CREATE–QUILTERS: THEIR QUILTS • THEIR STUDIOS • THEIR STORIES
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My father’s sister was the quilter in his
family. I remember the countless hours she
would spend cutting up well-worn, discarded {
r
e
shirts into pieces the size of postage stamps.
h
t
It was magic to watch her create a quilt that o
m
would be used by anyone who was lucky d
n
enough to sleep on the porch in the spring a
r
when there was still a bitter chill before g
the sun began to rise. Even when I was so y
m
young, I would marvel at the precision and
y
the patience that her work entailed. b
e
My mother loved fabric too, but not as a d
a
quilter — she was an expert seamstress who, m
{
with no formal training, could create a prom
dress from my grandmother’s draperies, or a
suit from only the memory of the day spent Yes, my practical, patient, and thrifty mother taught me how to sew. She
shopping together when I tried on the perfect showed me how to create a pattern for whatever I either wanted or believed
skirt and blazer for baccalaureate. Much like that I needed, and she persistently taught me the lessons of “fine handwork.”
the musician who can play a song by ear, That meant, and still means, plaids perfectly matching at the seams, straight
having only heard the music once, she was stitching lines, and a back as beautiful as the front, with no exceptions made for
enviable in her talent to create. haste and no less-than-perfect craftsmanship.
9
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I did learn my mother’s lessons, but I have never loved sewing clothing like I
love quilting. These pieced and quilted fabrics that tell the stories of the women
who created them, the stitches that are so tiny you can barely see them, and the
hours of creative, painstaking endurance that is devoted to making them, are
what I love most. As stated in the forward of “The Quilts of Gee’s Bend”: “Quilting
is a white woman’s way of singing the blues.” It’s a quote I read years ago and
have never forgotten.
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WHERE WOMEN CREATE–QUILTERS: THEIR QUILTS • THEIR STUDIOS • THEIR STORIES
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